I had a sort of assignment from DW yesterday. It wasn’t a real assignment… Rather, I had suggested we do something fun with rope that evening, and he told me that if I could find a pretty tie with instructions we could try it out. That sounded like fun to me, so I got online and started scouring the internet.
…Which is how I discovered that the internet, though occasionally a fine repository for some really stunning shibari photography, is pretty crap at providing decent tutorials without registering for some site membership or another. Many of the tutorials that I found were too basic—simple knots and ties that I know DW has a handle on. And I wanted something pretty. Something new and shiny that we hadn’t done yet.
In the end, I gave up on the internet and pulled DW’s Midori book out of the closet. I’ve read through the entire thing on my own, and he’s had it for years, but we’ve never actually done any of the “projects” in it. (I’m laughing to myself here because I sort of think of it as a how-to arts-and-crafts book. With rope. For grown-ups.) I picked out three that I wanted to try, and when DW didn’t have any preference as to which one we did, I singled one out. I chose the first project in the book: mune nawa and kaikyaku kani (胸縄と開脚蟹, or breast bondage and open-leg crab).
I think both of us were a little disappointed that the internet failed us on this venture, but like I said, we hadn’t actually tried anything in the book yet. Or perhaps he had, but not with me. After all, I’m not the first person he’s ever tied up. Now, there were similarities to things that we’ve done before. The chest harness didn’t feel vastly different from others he’s done on me, and was in fact a little simpler than some. My legs had been tied so that my knees stayed bent the last time we played with rope. But fastening my wrists to the outsides of my calves was new. The brand of immobility was new. I could barely move if I wanted to.
I’m having a hard time writing this entry. I’m having a hard time writing this entry because I don’t think I’m really conveying what I want to. I can walk through this step by step—laying out the ropes, introducing other toys, putting music on—but I feel like it isn’t significant. When I think about last night, I think about the force of DW pulling me forward by the center of the chest harness. I think about his face brushing against mine, his hands pushing my knees apart when I snapped them shut against the flogger or the vibrator, the way his eyes dance when he has me pinned like that. Caught. I watched his eyes while he tortured me, another lesson in what he can do if I don’t finish when he tells me to. I think about how he had the vibrator on me for so long that the skin under it felt numb afterwards. I think about how I perceived everything in half-vision, because I couldn’t keep my hair out of my face or because somehow my visual perception got chopped up when other sensations overran it. I think about vampire gloves biting down on my skin, and how they left a spatter of marks on my left thigh… though they were gone by morning. Imprints of rope inlaid in my skin. The feeling of helplessness. The converse feeling or being completely safe. I think of the color of the light, because the light was yellow and warm. I think of rolling onto my back, because I didn’t have the balance to stay upright anymore.
What I think about is a pile of images and remembered nerve-impulses. And his eyes, lighting up when he looks at me. It’s not really a narrative, as much as I might do to construct it into one. As a narrative, it loses the spirit of the thing. As brief flashes… well, maybe they don’t make a picture for anybody besides me. But I feel it’s truer that way.
What do you do when I tell you to do something?
I try.
And trying isn’t good enough, but I still do it.
And this… this I would do again. I feel like I would do it every day if I could. To be bound down into something beautiful, to watch his face light up as he torments me, to lie in his arms after and feel secure.
